On Apple Music app feedbacks

One of the things that I don’t like with Apple Music.app is this: the visual feedback that comes with adding or loving a song. Too obstructive, too slow. Reminds me of the volume hud… that Apple finally got rid of with iOS 13. Oh, and by the way, why burry Add and Love in a sub-menu? Agree? #applemusic #apple #ui #ux #design

Cocooning, really?

Are we ready for a new social network? Do we need this? Judging by their website, the nice design of Cocoon certainly looks enticing. But do we need this? It will take a lot of traction to make people leave Facebook or other well established data-ungry players. I certainly hope new players to come in and shake this rotten industry. Judge for yourself. cocoon.com

Things I look for when evaluating an app for my own use

When evaluating a new app for my own use, the first things I look for are (in no particular order): update frequency, update notes quality, user ratings, multi-platform support (macOS, iOS, iPad support), sync mecanism used, one-time purchase vs subscription based, web service backend. I may elaborate on this subject on a longer blog post in the near future. Currently using this against Raindrop.io apps.apple.com/app/id102…

On foldable devices...

Nobody asked for these phones… you are trying too hard. To all smartphone companies: fix your software, stop tracking us without our consent, stop selling our data, be transparent with each updates and the “feature” they bring, implement rules against tracking features that comes in most apps these days and end up on your App Stores, etc. . twitter.com/mondoir/s…

On Medium as a platform for bloggers

For those wonder about using Medium as a publishing platform. Here is a summary for my last four publications. See the difference when a story gets approved? The last three stories were not approved for publication behind their paywall. Not cool. It is a hit or miss and so you don’t want to build too much confidence in the platform to help build any form of sustainable revenue, even small.