After six weeks of waiting, I finally got this little LED-based display called “Tidbyt”, a reference, I guess, to the old Lite-Brite game which came out in 1967 (I had one when I was a child).

Tidbyt is an intelligent wireless LED-based panel that displays content configured from the Tidbyt app available on a smartphone. Physically, the device feels high quality and well-designed and is framed with real wood, reminiscent of mid-century furniture.

Content is configured using applets that you put together on a canvas. The display content will switch from one applet to another in the order defined on the canvas. Applets can be set to display only on a specific schedule, but the scheduling options are rather limited. It’s very simple to set this up.

Once the display is plugged into power via its USB-C cable, it will wait for the configuration to be done from the smartphone, a six-step process. Bluetooth is required to detect the display, and a Wifi network is required for the display to get its data from the Internet.

The applets catalogue is growing but still is relatively limited. Thanks to an SDK and open APIs, developers constantly add new ones. The display is bright and can be adjusted according to a manual setting or time of the day. There is a night mode, too, if you want to put the device in one bedroom.

The screen resolution seemed low at first, but from a distance, it is surprisingly good, enough to display small images.

All in all, the Tidbyt makes a great addition to my home office, and people at work have already noticed it during Teams meetings and are asking questions about this little thing sitting on the shelf behind me.

After watching a recent video from Matt Birchler about Rewind, a constant screen recording utility for the Mac, I was excited to give my email address and get onboard the waiting list for early access to the app. I got my invite a few days ago. As much as I would like to test this app, here's this deal-breaker for me: 20 US$ per month to get on the early access program, no thank you. Why?

I understand Rewind is still in beta, but the developer wants me to pay for testing the application. Shouldn’t it be the other way around so I get a rebate when the app goes out of beta? I mean, even with a 30-day “trial” I still can’t get over this. If it’s 20 US$ a month now for the early access, what will be the price of the final product then? Even more expansive?

Rewind makes me think of CleanShot, and I find Rewind’s pricing overly expansive if I think about the scope of both apps. 

Rewind is a great idea, even if it pauses many security risks, but I’ll pass for now.

I’m in violation of Twitter’s guidelines because I do promote content coming from other social platforms. I do use Linktree and have my Linktr.ee URL set on @numericcitizen.

This new "Promotion of alternative social platforms policy" on Twitter deserves memorializing for the pure idiocy of it.

"Accounts that are used for the main purpose of promoting content on another social platform may be suspended.".

If I look back at my software usage in 2022, three stars stand out:

1. Raycast
2. Things 3
3. Screenflow

Raycast was a revelation. It is so pervasive in my workflow that I feel lost when returning to my iPad for serious work. I underutilize Raycast for sure. It's free and constantly evolving.

Things 3 returned after more than a year of trying Apple Reminders and Craft Daily notes. It was a futile exercise. Things 3 is beautifully supporting my content creator workflow. Managing to-dos has never been so enjoyable.

Screenflow is essential to my YouTube video creation workflow. I don’t use FinalCut Pro, Luma Fusion or anything that sophisticated. I could use Screenshot screen recording too, but Screenflow is really the simplest and most focused video creation app out there that clicks with me.

I love using great software.

Just got my notice for the Hand Mirror update today. The latest release offers a paid version, for which I gladly paid. Why? Hand Mirror is a great example of useful software with attributes of the work of great craftsmanship. It was an instant buy because of this. The onboarding screen is simply gorgeous. 

Freeform, the visual and collaborative application from Apple, is finally out for the iPad, the Mac and… I spent some time with it on the iPad and found it enjoyable and deceptively minimalistic. On the Mac, once updated to Ventura 13.1, Freeform can be used to continue working on the content, albeit with a different set of tools, since there is no Apple Pencil support over there. One question is, why is the tools palette on the iPad different from the one with Apple Notes? I mean, there are pencils or crayons that I prefer on Notes over the available choices in Freemform’s palette. Following is a comparison of both. At the top is the Apple Notes tools palette. At the bottom is Apple’s Freeform. The latter seems a bit childish, too simplistic. I really wish there were more pencil types. 

Other than that, I didn’t test the collaborative work with someone else. I see Freemore as more for individualistic creative work. I’m not sure yet if I’ll ever make good use of it. Certainly not at work, as we’re more of a “Microsoft” business. Time will tell. 

This week, a new Mac joined the family. The 2013 Mac Pro. I always dreamed of owning one. It’s probably one of the most singular Macs Apple has ever designed. Yes, it has limited expansion. Yes, it is not the Pro Mac that the pros wanted back in 2013. Yes, you need to unplug everything from the machine to open it up. It’s borderline baffling. But this hardware piece, just like the monolith in the 2001 Space Odyssey movie, seems to come from an alien planet, far from earth. Once plugged in and turned on, you can hear it barely humming, just like in any space station depicted in science fiction movies. 

I’m starting to use this Mac Pro for a project that requires an Intel processor. You can read about it here if you are curious.