My Taxi Ride to The Past

I recently took a taxi ride to leave the airport as Uber taxis were unavailable and plagued with longer than usual delays. We were directed to the traditional taxi lines. I couldn’t use an app on my iPhone to call a taxi instead.

Boy, it was a trip in the past. The taxi driver had no Google or Waze open to know where to go, only his memory and his knowledge of the city. The taxi timer was this old and ugly box installed on his car dash, partially blocking his view.

It was disorienting not to get any feedback about how long the trip would go, what was the best road alternatives along the way, and not having a driver reputation score.

You would think that Uber would kick the butt of taxi companies so they evolve the customer experience and get their shit together to build a competitive experience, but no. They seem to have given up a long time ago.

My message to taxi companies: enjoy the ride while it last.

Integrating Adobe Enhance Voice Tech Into My Video Production Workflow — In Search of a Solution

I don’t know if anyone knows about this free web tool by Adobe: Enhance Voice (link), but it is really impressive (@MattBirchler knows about it). Here is what I’d like to do: find a way to integrate this tool into my video production workflow.

So, I’m producing YouTube videos with ScreenFlow (my YouTube Channel). So far, I’m ok with the results, but I think my voice, and the sound in general, could be improved (I’m using the Blue Yeti Microphone, but Adobe Enhance Voice is really impressive).

So, how can I:

  1. Do my recording sessions as usual
  2. Do my video montage as usual
  3. Extract the audio track
  4. Use Adobe Enhance Voice to re-process the audio track
  5. Replace the audio track in my Screenflow document
  6. Export the final video

Step 3 and 5 are not possible in the current release of Screenflow. Any suggestion of tools I could use instead?

Here’s what I know or already use:

  • Permute allows for easy conversion of audio files, including converting video files into the audio-only version.
  • QuickTime Player can export the audio track only out of a video file.
  • I know how to use iMovie.
  • I’m a happy user of Audio Hijack
  • I don’t really want to get rid of Screenflow. LumaFusion, FinalCut Pro, etc., maybe could do the job here, but it would be ok if I could find a simple utility that can replace the audio track easily instead.

This question has been posted to the Screenflow Telestream forum.


Update #1: corrected a few typos but added the solution using iMovie. Here’s the solution.

  1. Do my recording sessions as usual
  2. Do my video montage as usual and export the video
  3. Extract the audio track using Permute in .MP3 format
  4. Use Adobe Enhance Voice to re-process the audio track
  5. Convert .WAV into .MP3
  6. Launch iMovie and create a new Project
  7. Import the produced video in step 2
  8. Detach the audio track and delete it
  9. Add the enhanced version of the audio track
  10. Export the final video using iMovie’s share option

Voilà!

Update #2: there is a major issue with this process, the video and audio are not in sync over time, even though both files are of the same duration. This is not something easy to fix. Back to the drawing board. 😒

Thanks for Paying Attention

There’s this question that keeps popping up in my mind all the time since I’m being more active on Micro.blog. Why am I getting way more interactions with others on Micro.blog compared to Twitter? What am I doing differently? I write about the same subjects, albeit maybe more frequently. I think I have a few possible explanations.

First, Twitter is full of bots. Twitter is a dumpster. I suspect many people or organizations are simply cross-posting stuff on Twitter without real human beings behind the content. I did exactly that myself via Buffer for a few years. Optimizing exposure by scheduling posts at the “right” time was the idea. A bot worked for me.

Second, and this is probably the most probable reason: algorithmic timeline. The Twitter engine is tuned to generate higher engagement. The more you engage, the higher the probability that your content will appear on people’s timelines. If you’re well-known, again, the higher the likelihood that you will make it to the timeline of others.

I’m not well-known. I didn’t engage that much with others. Both made me a near-nobody on Twitter. So I didn’t get exposure, hence the lack of engagement with my content.

Third, there is just too much noise on Twitter to get noticed. My content competes against the rest of the Twittosphere. My context was noise for others, hence the lack of feedback, comments, and interactions.

Here on Micro.blog? Night and day. I’m not a star, far from it. But I get a sense that some people are paying attention.

Thanks for that anyway. 🤗

When Matter Made a Major Strategic Error

Thursday 19 Jan 2023 21 29 43

Today I spent some time in Matter to read a few articles. I went to the Staff Picks section, noticed those tweets between articles and remembered Matter's decision to leave the social portion in their early days. They preferred to go the Twitter route instead. That was before the Elon Musk fiasco. As you might expect, it was a deception for me, and I preferred Matter to build its own thing instead. I actually like to comment on articles and share my thoughts on them within the Matter sphere. Oh well… 

How ironic things can sometimes be. I think the Matter team made a significant strategic error by dropping the social portion of their initial offerings, and they should reconsider their decision.

What's Really Behind a Subscription Fee?

This video from birchtree@mastodon.social resonated greatly with me today. Here’s why.

First, someone is finally calling out something about software subscriptions that I always wanted to call out myself. Every developer seems entitled to charge a subscription for whatever reason. Matt brilliantly illustrates that some subscriptions are ok, some are borderline ok, but others are not.

For applications like Notion or Craft, developers must pay costs for hosting the backend. For example, Craft’s backend seems to be on the AWS cloud. In that specific case, it’s clear that a subscription makes sense. So we must help the developers pay their bills, right?

Things get more controversial when the developers charge for a subscription, even though no backend services are required. Why would the developers go with a subscription model, then, you might ask? Well, this is where I want to chime in. The developers may not have to pay hosting costs, but what about their development time? It is as if we value infrastructure costs more than craftmanship time. It should not be this way.

I’m willing to pay for software or service using a subscription if the product comes with updates regularly. Matt has shown Tweetbot as an example. Well, this isn’t the best example because Tweetbot rarely gets any updates; it doesn’t fit my criteria for using a subscription. CleanShot X, absolutely yes. I recognize, through my subscription, not only the value of the service but the time it took to put it together and keep it running fine. I’m willing to support the developer for that through a subscription.

We pay 5$ for a drink that takes less than a minute to prepare at Starbucks. Why is it so hard to pay for developers’ time, spending weeks or months writing great software? Also, we must try to consider not only backend bills when deciding that a subscription is ok; craftmanship is something to pay for too.

Should Apple Offer AI-based Services at the OS Level?

In recent months, we’ve seen the addition of many AI-based features in apps like Notion and Craft, two apps that I know pretty well. Now I’m wondering if it would be a good idea that Apple integrates such features at the operating system level. Just like we can double tap a word in a text and get its definition from the dictionary, wouldn’t be cool if we could select a whole text and ask for a summary or anything involving the selected content? Apple would have to decide which AI sources to use or provide users a choice, just like for search engines. Any apps manipulating text would instantly benefit from this added capabilities. Your thoughts?

Which is Best for Photographers: Twitter or Flickr?

Which platform is best for photographer between Flickr and Twitter if you have about the same number of followers on both? You might think it’s Flickr? According to this experiment, you get 2x more exposure on Twitter, but you get 2x more engagement on Flickr. Things get even better on Flickr if your photo gets selected for Flickr Explore page.

The “views” count definition is not clear but I would think that Twitter’s definition is a wide one (I don’t trust them for being honest about anything). A tweet could get a view count if it goes through an API without guarantee of human actually seeing the picture.

Personally, I prefer engagement over views. This is something to expect I guess from a photo-sharing service like Flickr or Glass. Finally, this is an indication of Twitter being an empty promise for photographers.

On Making Apple Lovable Again

The DMA holds the promise to return Apple to an earlier age without these gluttonous service and tax aspirations driving seemingly every major decision at the company. The EU just might make Apple lovable again by outlawing their monopolistic excesses. What a twist. Source: Apple’s big monopoly loss comes curtesy of the EU

For once, I agree with David Heinemeier Hansson. Apple’s arrogance is slowly killing all the magic.

30 Years of Platforms Learning

To celebrate my calculator app PCalc turning 30 today, I've written up all the history I can still remember:

pcalc.com/thirty

There's also a rare 30%-off sale, which runs until midnight tonight, PST:

Mac:
pcalc.com/store/pcalcmac

iOS:
pcalc.com/store/pcalc

A big thanks to everybody who has used PCalc during the last three decades!

I never bought PCalc but for as long I’ve been following the Apple story, PCalc always was somewhere to be seen in a magazine, on the web or an App Store. What a great way to learn, explore over the years.