Weekly Posts Digest from Numeric Citizen Microblog
6 min read
The Waiting Game
In case you didn’t know, I’m a big fan of Apple (from the corporation, the products to the company’s history). Here’s a little secret: I maintain a document of possible upgrade paths for all my current Apple products. It’s fun. Yes, I’m a bit crazy.
Each year, during the fall, Apple releases a slew of new products. Each year, I spend some time updating my document to reflect my analysis of possible product upgrades. Take the iPhone for example. I’m currently using last year’s iPhone 13 Pro. I’m super happy with but I’m pondering the idea of upgrading to the iPhone 14 Pro Max. So, I list all the reasons why I should do it and all the reasons why I should refrain from doing the upgrade. It’s the same drill for my aging 2018 11-inches iPad Pro. Or my Apple Watch Series 6. It’s quite fun and educative because for each product, I spend quite some time studying it and pondering their technical advances over my current product. It’s really fun. And crazy.
This year, it’s a bit different for some reasons. There’s still nothing in the Apple tech landscape that could trigger a purchase. Not yet. Rumours about an upcoming iPad Pro refresh and a more powerful Mac mini with an M2 are aplenty. Things could change in a few weeks.
But, seriously, what is more fun than anything else is the waiting game. Pleases come while waiting for something to happen. I read somewhere that people who wait patiently to get something are more happy in life than those who succumb rapidly to fill their immediate needs. I must be quite happy then.
Header photo credits: Photo by Zhiyue on Unsplash
When the iPad Is No Longer a Novel Device
As I write this, rumours are pointing to an imminent release of some updated iPads today. What is novel this time is not the CPU to be used, the screen attributes, or the long-awaited app called Freeform. What is novel is the fact that there won’t be an Apple event for the announcement but a few well-crafted press releases. Apple judges the updates as not worth tech pundits’ time, flight to Cupertino, or even a secret press briefing.
I would argue that we are officially entering the iPad commodity era. Thanks to Apple, who neglected to show the iPad’s true potential with a ported version of powerful apps like Final Cut Pro, a real multitasking experience, the iPad is becoming a mundane device. Putting an M2 processor in it won’t change the story here. Freeform, a low-profile app that Apple quickly demonstrated at the WWDC conference last June, won’t probably appeal to many, being late in the game of collaborative work and creativity. Even long-time bloggers and iPad believers like Matt Birchler are no longer waiting for the iPad to ignite the personal computing segment.
We will see shortly if Apple has a few surprises in-store today.
Photo credits: Photo by Niklas Hamann on Unsplash
On This AI-Generated Podcast Interview Between Joe Rogan and Steve Jobs
What. The. Fuck.
This podcast example about a fake interview between Joe Rogan and Steve Jobs is a blatant example of where some more thoughts should take place before putting high tech to work. What is the purpose of this? Is this a tech demo or some bad-taste proof-of-concept? It’s not hard to imagine how it could derail in the future when used in politically-heated contexts. Oh, and no, I didn’t waste my time listening to this garbage, and I won’t share the link to this podcast, either.
Image credits: generated using Dall-E with the following phrase: “an hand drawn Mac computer that never existed digital art”
Adobe, Lightroom and the Camera
The Adobe Max conference was held this week. With each conference comes a slew of new application update releases. I’m not really into Adobe ecosystem except for using Adobe Lightroom on the Mac and the iPad Pro. This is my main photo processing engine, coupled with the excellent Pixelmator Pro. For About a year, Adobe spent some of its development money to “augment” Lightroom, a photo-processing application, with video-processing features. Why? I don’t get it. I don’t want it.
As Adobe is adding video-processing features to Lightroom, I fear they are making it less focused and slowly becoming a bloated piece of software, on the outside but also the inside. Adobe Lightroom’s mission was to start over and make a new solid foundation apart from its aging Adobe Lightroom Classic.
I want Adobe to focus on photography; they already have video-processing apps like Adobe Premiere!
I’d love Adobe to focus on making the camera feature compete with a dedicated camera app like Apple’s camera app or Halide or Camera+. I cannot remember when the last release of Adobe touched this portion of Lightroom in significant ways. Why is it important? As a subscriber of an Adobe photography plan, I would use the Lightroom camera more, and my images would directly go to the Adobe Cloud, just like the Apple camera app saved photos in iCloud. It would be so much more convenient. I prefer Adobe cloud for my RAW images instead of having to transit my RAW photos through the Apple Photos library. The more Adobe improves the built-in camera module of Lightroom, the more I’ll stay within Lightroom while in a photography moment.
Clear Thoughts on a Confusing iPad Lineup
There we have it, a new iPad, a new iPad Pro, joining a growing and more confusing iPad lineup than ever. I won’t repeat the best comments from MacStories (“Apple Announces Strange New iPad and iPad Pro Lineup“) and Six Colors (“The iPad’s erratic odyssey continues”). How are this week’s announcements influencing my buying decisions?
I’m currently using a 2018 11-inches iPad Pro. Going to the 2022 M2 iPad Pro would be a significant step, at least from a processing power perspective. Should I stay on the 11-inches size or go to the 12.9-inches version and get a big screen upgrade? Using this new iPad as a photo-processing machine and as a second screen to any of my Mac would undoubtedly support the bigger iPad. But what a weird setup this would make to use a much-better secondary screen like the 12.9-inches iPad Pro on a 2020 M1-based MacBook Air machine. There is no comparison to be made.
In its video clip of fewer than five minutes, Apple is positioning the latest iPad Pro weirdly and surprisingly: the best machine to experience the “exciting” Stage Manager. What a strange way to present the iPad Pro. It will undoubtedly help but having to buy an expensive iPad to get a different and questionable way to multitask on a tablet is doubtful.
Oh, and what a missed opportunity to have Freeform ready simultaneously and present it as the best way to collaborate in a creative environment! We will have to wait until “later this year” to come to get a sense of Apple’s vision of collaborative work. Oh, and Final Cut is still MIA. Instead, Apple continues to rely on third-party apps to show how powerful the iPad Pro actually is. Thanks to DaVinci Resolve or Affinity, when they ship their new beast of software. Later. Eventually.
I don’t know why but my feeling is that the 2022 iPad Pro is only a transition machine, and the real deal will be next year’s update. Oh, and these keyboard choices are as strange as all the rest.
I’m unsettled. 🤔